![]() A veritable slaughterhouse of ideas, it takes the Orchestra's formula one step further, bringing in the occasional vocal manipulation, heavily compressed snare drum, or weepy string/horn section to flesh out what may be the group's most concise and fully realized effort to date. They need not worry, however, as the resulting Maestro is nothing short of magnificent. ![]() The cocky, gas mask-loving Scandinavians have always seemed poised to make the leap to a major label, especially after racking up the awards for 2003's independently released Evig Pint, but the prospect of hearing their signature blend of pump organs, oil drums, and staccato guitar get the "big time" treatment initially put a scare into longtime fans. The sextet are about as far from conventional as one could imagine (Eastern European folk music filtered through an apocalyptic post-rock prism), so it comes as a bit of surprise that their third full-length recording bears the stamp of Universal Records. Anybody wondering what happened to Tom Waits after Franks Wild Years or Radiohead after OK Computer need look no further than Norway's Kaizers Orchestra.
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